CHAKAIA BOOKER
Since 2009 Chakaia Booker has created over 100 unique prints at the Robert Blackburn Printmaking Workshop in collaboration with master printmakers Phil Sanders (2009-2014) and Justin Sanz (2015-2023). Though materially different than the sculptures made of rubber tires for which she’s known, Booker’s prints retain a visual link to her three-dimensional works. In her sculptural practice Booker often transforms the bulky tire into seemingly feather-light forms, imbuing the ubiquitous material with social and political implications. In her prints, Booker transforms the static nature of two-dimensional works into dense, patterned compositions almost buzzing with frenetic energy. In some, the gestural, abstract forms seem to burst forth from the geometric figures that are layered and stacked on the paper. In others, genderless figures composed of densely made patterns, float weightless in space yet ready to spring forth from the page.
During her time at the Blackburn Printmaking Workshop, Booker experimented with production processes, devising new ways to create work and make marks that draw from the visual language of her sculptural works. In the same way Booker forms sculptures out of unexpected materials, her prints are made with an innovative printing technique. Booker utilizes thin, delicate papers that become transparent during the printing process, allowing each layer to bleed into the next. She then tears and cuts these papers, combining them to make the final forms—an incredibly meticulous process. In the results of this incredible technique, Booker proves she can bend any medium to her will.
- Hallie Ringle, Hugh Kaul Curator for Contemporary Art, The Birmingham Museum of Art
EDITIONS
Untitled 2016
Lithography and chine collé
29 × 20 in
Edition of 25
UNIQUE WORKS on PAPER
Further Reading
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